Course syllabus spring 2025
Course syllabus spring 2025
Title
Filmmaking I
Swedish title
Praktisk film I
Course code
KK153A
Credits
30 credits
Grading scale
UG / Fail (U) or Pass (G)
Language of instruction
English
Decision-making body
Faculty of Culture and Society
Syllabus approval date
2023-06-14
Syllabus valid from
2024-01-15
Entry requirements
General entry requirements + English 6
Level
Basic level
No main field.
Progression level
GXX
Progression level in relation to degree requirements
The course can normally be included as a part of a general degree at basic level.
Course objectives
The aim of the course is to offer foundational training and studies in filmmaking with digital video.
Course contents
The course is divided into four modules:
- Film theory (5 credits)
- Basics of Filmmaking (9 credits)
- Fictional filmmaking (8 credits)
- Documentary filmmaking (8 credits)
The course is an introduction to filmmaking in a broad sense. During the course, students will develop competence in filmmaking through practical exercises in screenwriting, directing, cinematography, and post-production using digital video. In module 3 and 4, a fiction short film and documentary are produced.
Practice is integrated with theory by analysis and reflections on how different narrative components are used within different genres through a film historical perspective.
Learning outcomes
On completion of the course the student will be able to:
- demonstrate an understanding of the historical development and social context of film.
- explain narrative structures and components in film and how they are used in a production.
- describe and discuss different genres and modes of representation.
- to process an idea to a realizable manuscript.
- demonstrate basic skills in the production of film using digital technology.
- produce a short fiction film from idea to finished product.
- produce a short documentary film from idea to finished product.
- evaluate fellow students and professional work.
- identify and discuss the ethical and social consequences of film production.
Learning activities
The course is both practical and theoretical. The majority of the work is done through film production in groups, and individual tasks under supervision.
Module 1 runs parallel throughout the course and consists of lectures, film screenings and group discussions.
In module 2, competence in practical work with film production is developed through the writing of manuscripts, camera work, lighting, editing and sound design in specific exercises and assignments.
In module 3 and 4, a fictional and documentary production is carried out, where theory is integrated through an investigation of genre concepts and different storytelling techniques. The students report their reflections and theoretical analysis in a written paper.
Importance is placed on the collective process, where the students' experiences and active engagement creates a platform for learning.
Assessment
In module 1, learning outcome 1 is examined through a written exam.
In module 2, learning outcomes 2, 4 and 5 are examined through a portfolio of production assignments and active participation in examination seminars.
In module 3, learning outcomes 6, 8 and 9 are examined through a production assignment accompanied by written critical reflection and active participation in the examination seminar.
In module 4, learning objectives 3,7,8 and 9 are examined through a production assignment accompanied by written critical reflection and active participation in the examination seminar.
Three opportunities for examination are offered during the academic year. Students who have not finished the course, have the opportunity to take part in examinations the next time the course is offered. Under such circumstances, assignments are carried out according to the literature and assignments that are valid during the time the examination is carried out.
For re-examination of certain assignments, such as production assignments and group projects, certain circumstances apply since the examination of these assignments are dependent on student participation during certain periods of time and in speci?c projects. Re-examinations will be offered according to the student’s rights, but with adjustments to the speci?c assignment since it cannot be conducted in the same context as the ordinary examination.
Course literature
Bordwell, D., Thompson, K. and Smith, J. (2017) Film art: an introduction. Eleventh edition. McGraw-Hill Education.
Cooper, P. and Dancyger, K. (2005) Writing the short film. 3. ed. Focal Press.
Nichols, B. (2017) Introduction to documentary. Third edition. Indiana University Press.
Raskin, R. (2002) The art of the short fiction film: a shot by shot study of nine modern classics. McFarland.
Renov, M. edt (2012) Theorizing documentary. Routledge (AFI film readers)
Course evaluation
Malmö University provides students who participate in, or who have completed a course, with the opportunity to express their opinions and describe their experiences of the course by completing a course evaluation administered by the University. The University will compile and summarise the results of course evaluations. The University will also inform participants of the results and any decisions relating to measures taken in response to the course evaluations. The results will be made available to the students (HF 1:14).
Interim rules
If a course is no longer offered, or has undergone significant changes, the students must be offered two opportunities for re-examination based on the syllabus that applied at the time of registration, for a period of one year after the changes have been implemented.
Additional information
If a student has a Learning support decision, the examiner has the right to provide the student with an adapted test, or to allow the student to take the exam in a different format. The syllabus is a translation of a Swedish source text.